Mayne Island en plein air painting morning
August is my favourite month of the year and the weather is finally spectacular – feels like summer at last. However, I am not good at beach-sitting but rather prefer to be beach-doing with either my camera or french box easel or both. Such is the case on this fine morning down on Reef Bay, Mayne Island…
I am feeling fairly pleased with myself. I have the 12 x 16 inch canvas blocked in and the sea is singing away as I work away for about 45 minutes. But after awhile I take and good look. It seems nothing is quite right.
The parts in the painting are separate and seem unrelated to each other. I frown and I stall by signing the work. I look out at the scene before me. I walk around eating a golden plum I had brought with me for a snack. After awhile I acknowledge that I am still undecided and unsure about what to do next. But who can fuss on such a find day? I shrug and I set the canvas aside. I picked up my second blank canvas, slightly smaller at 9 x 12 inches and turn to the view just to my left.
This time I set to painting looking quickly and briefly at the scene as waves roll softly over and over again onto side of the reef. We seem as one – the sandstone, sea and me.
Swish, swish, swish. My brush responds with ease, leaving out the freighter and the driftwood as it focused on the relationship between the sandstone, the sea and the sky. After awhile, my bare arms begin to tingle from the heat of the sun and I am thankful I had decided to put a hat on my head. Stopping to take a long sip of cool water I squint at the painting.
It is done. Complete. Finished – and so am I
I pack up and head home. My en plein air morning is no longer morning.
Of course, you know, there is that other painting right? Well I sleep on it and get up in the morning to see what I can do with in the studio. Hum! I am not sure this helped much.
Though it is starting to come together, the overall painting is muted and lacks strength and conviction. Now what? I go back to my some reference images I had taken and look closely at the first photograph that I showed you here. I walk away and do a few chores. Then I take another run at it – or rather brush at it. I am determined though unattached to the outcome.
Now let’s see – yes, there! Now I think we have it.
The day is shot. It is well after six o’clock. I missed lunch and am not up to cooking us dinner. We decide to slip out to the Green House Bar and Grill. I ask David if I had any paint on my face. He said “no darling you look fine.” Off we go.
The first thing the owner says to us as he hands out the menus is “hey Terrill, you have paint on your nose.”
Not only that, some how I had managed to get three different splashes of colour on the front of my t-shirt as well. But they let us in anyway
Once these two oil paintings are dry and I am satisfied that no further adjusting is needed they will be available in the Artsy Home online gallery along with my other paintings that are currently available. However, if you are interested in having one of these hanging on your wall and you email me at email@example.com no later than 6:00 am PDST tomorrow, Friday August 17, 2012 I will cover the shipping for you to anywhere in North America. The 9 x 12 by 3/4 inch “Late morning in August by the sea” is currently $430. The 12 x 16 by 3/4 inch “August morning Reef Bay” is currently $675.
SPROUT: What keeps you coming back to something until you get it the way you want it?
© 2012 Terrill Welch, All rights reserved.
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Creative Potager – where imagination rules. Be inspired.
From Mayne Island, British Columbia, Canada
Terrill Welch online Gallery at http://terrillwelchartist.com
- Sold! Art and other adventures (creativepotager.wordpress.com)
- Seven Tips for Buying Original Paintings (terrillwelchartist.com)
- An interview with Terrill Welch by Charles van Heck (creativepotager.wordpress.com)